Ambrogio was probably the younger brother of Pietro Lorenzetti and certainly came from the same artistic background. Ambrogio, who is documented as living in Siena from 1319 to 1347, paid at least two lengthy visits to Florence. This may explain his detailed knowledge not just of the painting of Giotto, but also that of his Florentine successors. It may explain, too,...
c.1327-32. Tempera on wood. Galleria degli Uffizi, Florence, Italy. Read Note.
c.1327-1332. Tempera on wood. Galleria degli Uffizi, Florence, Italy. Read Note.
1338-40. Frescos. Palazzo Publico, Siena, Italy.
c.1338-40. Fresco. Palazzo Publico, Siena, Italy.
1337-40. Fresco. Sala dei Nove, Palazzo Publico, Siena, Italy.
1337-40. Fresco. Sala dei Nove, Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
1338-40. Fresco. Palazzo Publico, Siena, Italy.
c.1340. Tempera on wood. Pinacoteca Nazionale, Siena, Italy.
c. 1342. Tempera on wood. Galleria degli Uffizi, Florence, Italy. Read Note.
Ambrogio Lorenzetti. by G. Rompey. Princeton. 1958.
Painting of Europe. XIII-XX centuries. Encyclopedic Dictionary. Moscow. Iskusstvo. 1999.
Ambrogio Lorenzetti: The Palazzo Pubblico, Siena by Randolph Starn. George Braziller, 1994.